![]() ![]() ![]() Peligro - jumped onstage with NAILBOMB at Dynamo. It breathes again now as the second CD on "1000% Hate".Ī laundry list of heavy music luminaries - including BIOHAZARD's Evan Seinfeld, NEUROSIS's Dave Edwardson, FRONT LINE ASSEMBLY's Rhys Fulber and DEAD KENNEDY's D.H. The Dynamo performance was originally documented in 1995 as the live album "Proud To Commit Commercial Suicide". The heavy metal supergroup performed a warm-up club show the previous evening, at which they were joined by FEAR FACTORY's Christian Olde Wolbers. NAILBOMB had made such an impression that the act, intended as a one-time expression, was invited to Eindhoven, Holland's long-running, renowned Dynamo Festival a year after "Point Blank"'s release. "24 Hour Bullshit" uses the same template but ups the ante in terms of might and tempo. That tension is almost tangible on a cut like "Vai Toma No Cu", a song that sounds like SEPULTURA doing its best GODFLESH impersonation, replete with Max sounding like Justin Broadrick over a stabbing industrial metal onslaught that's as catchy as it is beefy. By Cavalera's own admission, his excessive alcohol intake irritated Newport during the recording. And like many marriages, it wasn't always pretty. "Point Blank"'s 13 songs were the marriage of Cavalera's penchant for raw hardcore punk in the vein of DISCHARGE along with Newport's inclination for samples and industrial sonic hell. The bulk of "Point Blank", however, sounds like the obvious fusion of both main figures. Cavalera's punk-fueled thrash metal attack clearly sits in the driver's seat on the pummeling opener "Wasting Away", while Newport's industrial background informs the entirety of the mechanical, marching beat on "Guerrillas". On certain songs, one or the other takes control. NAILBOMB was essentially a duo, the bastard child of Max Cavalera ( SEPULTURA, SOULFLY, etc.) and FUDGE TUNNEL's Alex Newport, who drafted notable musicians like Max's brother Igor on drums as well as SEPULTURA's Andreas Kisser and FEAR FACTORY's Dino Cazares on guitars to serve as session musicians. Nearly 30 years later, the two albums are being re-released and packaged together as "1000% Hate", the title that the band initially had in mind for "Point Blank". NAILBOMB weren't meant to last, but they sure as hell have made their mark. Between 19 they released one studio effort, 1994's "Point Blank", and had a warm-up gig the evening before their acclaimed European festival appearance, which was documented as the live album "Proud To Commit Commercial Suicide" (1995). Point Blank is abrasive, in your face, and loud as hell with the lid off.NAILBOMB were a shooting star. ![]() This is an ass-kicking album, that is full-on malevolent from the get-go. Relentless grinding riffs, and an industrial-strength percussive roar, the lyrics are uniformly nihilistic and the album is riddled with left-field samples that add a disorienting, dehumanizing texture. ![]() “Exploitation” is a cover originally by the English crust punk band Doom. The first track “Wasting Away”, appears in the 1995 film To Die For. Also Dino Cazares of Fear Factory and Ritchie Bujnowski from Wicked Death are featured on the album. Nearly the entire Sepultura lineup is present on the guest list – both Andreas Kisser and Igor Cavalera are credited. The album combines the thrash-metal fury of Sepultura with the robotic industrial clangor of Fudge Tunnel. Point Blank is their only studio album, originally released in 1994 by Roadrunner Records. Nailbomb was a side project by Sepultura’s Max Cavalera and producer/engineer Alex Newport in the mid-1990s. ![]()
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